Horror Vampire
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Horror Vampire
Why is the Title of my Novel Scarier Than Vampires?
Let's travel back in time to 1930, in central Texas. Fourteen years earlier, Jesse Washington*, a young man with mental retardation was on trial in Waco for murdering an elderly white woman; but a mob dragged him from the court, tied him to a rope, and tied the rope to the strongest branch of a tree near the courthouse. He was lynched after being repeatedly lowered by a rope into a fire built under the tree branch where he was hanging and having his fingers cut off when he tried to climb up the rope to get away from the flames. His genitals were also removed.
Once he was dead, his body was dragged behind a vehicle back to the small town where the elderly white woman he was accused of killing lived. It's possible he murdered the elderly woman. But he was denied the right to a fair trial and given cruel and unusual punishment without the benefit of a guilty sentence.
Such was life in Texas and other states, as well, at that time. A photo on a lynching postcard shows Washington's burned body hanging while the mob that lynched him poses for the camera. There are children in the photo along with the men who tortured and murdered him. This kind of cruelty was so common and so usual then, lynchings often became festive occasions with families bringing baskets of food to have a picnic and people selling hot dogs, barbecue, and watermelon to anyon who didn't bring food. There were also trophies collected, pieces of flesh and bone, even genitals. Photos were taken and sent to relatives "up north." A collection of lynching photos toured the country a few years ago without much fanfare. Why? Because no one wants to talk about this chapter of American history. We've moved past slavery (without really discussing its lingering effects), but even after a noose was hung on a tree at a high school in Jena, Louisiana, many white Americans didn't get why that upset African-Americans. In our culture, the noose is the Swatsika.
It represents the horrendous deaths of over 3,000 blacks and over 2,000 whites (mostly Jews and Italians) and Hispanics, not just in southern states, but in Illionis, Indiana, Michigan, Minnesota, New York, and California, as well as other northern and midwestern states.
In my novel, lynchings are an essential part of the plot and a fact of life for black people who live in the small rural community in Central Texas where my mother was born in 1930, and where I was born twenty-one years later.
It's the horror of a make believe lynching in the novel that causes a little black boy to go into a state of shock, so full of fear, his fear coalesces into an amorphous entity that inhabits the body of the vilest, cruellest, and most demented person in the community, a wealthy young white man who kills the boy's father and three brothers, aided by three peers.
The black family's mistake was being in the wrong place at the wrong time after going to see a silent horror movie about vampires on Halloween night. Elijah (Lijah), frightened at the thought of seeing a bloodsucking demon on the movie screen, was reassured by his father that there were no little "colored" boys in the movie and that the vampires "just be killing white folks." That phrase became the title of my book because it represents the opposite of the mindset, culture, and sentiment of that time. In fact, in 1930 Texas, they were killing black folks. So, I decided to create a situation that could only exist in a segregated, racist socieity in which, instead of black people having the disadvantage due to the color of their skin, white people would be in that position.
When Lijah's fear turns into the vampire, it takes with it the belief that it can only kill white people because that's what Lijah believed. So, in this time and place where even the clergy (all but one white Christian minister who warned his black minister friend whenever there was talk of a lynching) participated in lynchings and black people's lives could be taken due to a accusations that may or may not have been true, the tables are turned.
Instead of lynch mobs coming after the latest black to be targeted for stealing, killing, crossing the color line and lusting for a white female, demanding fair payment for goods or services (the most common reason for lynchings), or just being "too uppity," vampires hunt and kill every white person present in the community at the time, but are unable to kill black people.
This irony for me illuminates the lunacy of the wholesale murder and mutilation that occurred in Central Texas(and elsewhere) in 1930. Therefore, my little short novel is not only a tale of horror, but one of an irony that some people may not get. Not even black people.
I took 1000 promotional convention bags that cost a few hundred dollars with the name of my novel and my pen name imprinted on them to the National Black Theatre Festival in Winston-Salem, North Carolina, last summer, and the red bags with the words "They Just Be Killing White Folks (A Vampire Tale of Bloodlust, Terror and Horror) by VaJo PaJefChat" printed on them could be seen all over the place. However, not one person purchased a copy of the novel from my website, which was also printed on the bags. I've been advised to change the title of the novel, but that takes away the irony. My sister suggested that I flip flop the title so that it reads A Vampire Tale of Bloodlust, Terror, and Horror (They Just Be Killing White Folks); however, I'm not sure that would make much difference. I never meant for the title to strike fear, but to create curiosity, getting people to wonder why only white people are killed in a vampire novel. But I think there is a deep- held fear that goes back to the pre-Civil War era when there was a great fear of slave revolts and black slaves butchering their white slavemasters in their sleep. It's almost primal.
However, in my novel, it's not black people who do the killing. It's white people who've been converted into vampires. The role of blacks in the novel is to end the siege on their community through ancient Cherokee rituals and the power of their faith. I'll admit, the white characters in the novel, except for one, are not sympathetic. They behave as only people who stood around eating watermelon and fried chicken with their families while they watched someone getting tortured and killed, posing for photos could behave. How could anyone sympathize with people who would witness such an event, then possibly collect parts of the victims' bodies as trophies? There is no sympathy for the people who participate in lynchings or see them as entertainment in the novel.
The blacks in the novel are like the people that have lived in that community since slavery ended. Their leader is a black preacher, loosely based on my maternal great- grandfather. His nemesis is a conjure woman who's based on my paternal great-grandmother, but her character is neutral in this novel. However, at the end of the book, the behavior of blacks towards Hispanics is not that different in the 1970s as the whites' behavior towards blacks was in 1930. Hatred, oppression, racism, terror, and random acts of violence are all cyclical and defy reason or culture.
I plan to write more horror novels set in Mud Creek, the rural black community in "They Just Be Killing White Folks" in different time periods. That is if I can ever get anybody to ask the question posed by the title of this first one and actually buy it, read it, and try to understand its irony.
*As an author, I took poetic license when I described several actual lynchings, including Washington's, having them all take place in 1930, to add to the horror of the fictitious events set in that year in "They Just Be Killing White Folks."
About the Author
Winner of Media Achievement Award in 2008, while writing for The Sojourner's Truth Newspaper in Toledo, Ohio; reporter for The Toledo Journal, The Paper, and contributing writer for The Toledo City Paper and The Toledo Women's Magazine, BBW, DIMENSIONS; presently write for The Toledo Examiner on two topics: special edcuation and community events.
does anyone know any good romance, horror, or vampire movies?
i want to have a movie night
and i love those type of genres
so does anyone know any good movies?
Vampires :
Queen of the damned
Van helsing
Blade trilogy
Underworld trilogy
Let the right one in
Dracula 2000
Interview with a vampire
Bram stoker's dracula
Shadow of the vampire
Romance :
City of angels
P.S. I love you
If only
Chasing liberty
Penelope
27 dresses
A walk in the clouds
The notebook
Tristan & Isolde
Pride and Prejudice
Atonement
Blood Ties Horror Movie Vampires starring Jason London and Patrick Bauchau 1/9